Another Sheaf by John Galsworthy
Author:John Galsworthy [Galsworthy, John]
Language: eng
Format: epub
Tags: Essays
Published: 2009-08-17T04:00:00+00:00
II
The impression I get, in our big towns, is most peculiar—considering that we are a free people. The faces and forms have a look of being possessed. To express my meaning exactly is difficult. There is a dulled and driven look, and yet a general expression of "Keep smiling—Are we down-hearted? No." It is as if people were all being forced along by a huge invisible hand at the back of their necks, whose pressure they resent yet are trying to make the best of, because they cannot tell whence it comes. To understand, you must watch the grip from its very beginnings. The small children who swarm in the little grey playground streets of our big towns pass their years in utter abandonment. They roll and play and chatter in conditions of amazing unrestraint and devil-may-care-dom in the midst of amazing dirt and ugliness. The younger they are, as a rule, the chubbier and prettier they are. Gradually you can see herd-life getting hold of them, the impact of ugly sights and sounds commonising the essential grace and individuality of their little features. On the lack of any standard or restraint, any real glimpse of Nature, any knowledge of a future worth striving for, or indeed of any future at all, they thrive forward into that hand-to-mouth mood from which they are mostly destined never to emerge. Quick and scattery as monkeys, and never alone, they become, at a rake's progress, little fragments of the herd. On poor food, poor air, and habits of least resistance, they wilt and grow distorted, acquiring withal the sort of pathetic hardihood which a Dartmoor pony will draw out of moor life in a frozen winter. All round them, by day, by night, stretches the huge, grey, grimy waste of streets, factory walls, chimneys, murky canals, chapels, public-houses, hoardings, posters, butchers' shops—a waste where nothing beautiful exists save a pretty cat or pigeon, a blue sky, perhaps, and a few trees and open spaces. The children of the class above, too, of the small shop-people, the artisans—do they escape? Not really. The same herd-life and the same sights and sounds pursue them from birth; they also are soon divested of the grace and free look which you see in country children walking to and from school or roaming the hedges. Whether true slum children, or from streets a little better off, quickly they all pass out of youth into the iron drive of commerce and manufacture, into the clang and clatter, the swish and whirr of wheels, the strange, dragging, saw-like hubbub of industry, or the clicking and pigeon-holes of commerce; perch on a devil's see-saw from monotonous work to cheap sensation and back. Considering the conditions it is wonderful that they stand it as well as they do; and I should be the last to deny that they possess remarkable qualities. But the modern industrial English town is a sort of inferno where people dwell with a marvellous philosophy. What would you have? They have never seen any way out of it.
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